15. | "Golda Maria" (Patrick Sobelman, Hugo Sobelman, F) | [7.49/10 0.9] |
16. | "The Two Sights" (Joshua Bonnetta, Can/UK) | [7.48/32 1.3] |
17. | "Walchensee Forever" (Janna Ji Wonders) Compass-Perspektive-Award | [7.38/8 1.0] |
18. | "Pinocchio" (Matteo Garrone, I/F/UK 2019) | [7.36/52 0.9] |
19. | "Art Comes from the Beak the Way It Has Grown (Kunst kommt aus dem Schnabel wie er gewachsen ist)" (Sabine Herpich, D) | [7.33/12 1.1] |
20. | "This Is My Desire (Eyimofe)" (Arie Esiri, Chuko Esiri, Nig/US) | [7.32/17 1.0] |
21. | "Gunda" (Victor Kossakovsky, No/US) | [7.32/57 1.8] |
22. | "My Name is Baghdad" (Caru Alves de Souza, Bra) Grand Prix Generation 14+ Jury | [7.32/31 1.6] |
23. | "Mogul Mowgli" (Bassam Tariq, UK) Fipresci Prize | [7.23/102 1.3] |
24. | "Mamá, mamá, mamá (Mum, Mum, Mum)" (Sol Berruezo Pichon-Riviére, Arg) | [7.20/20 1.9] |
25. | "Domangchin yeoja (The Woman Who Ran)" (Hong Sangsoo, Korea) Best Director | [7.18/255 1.6] |
26. | "Las niñas (Schoolgirls)" (Pilar Palomero, Spa) | [7.17/29 1.3] |
27. | "If It Were Love" (Patric Chiha, Fr) Teddy Award | [7.15/37 1.6] |
28. | "Automotive" (Jonas Heldt) | [7.14/22 1.7] |
29. | "Rizi (Days)" (Tsai Ming-Liang, Taiwan) Teddy Jury Award | [7.13/183 1.8] |
30. | "Curveball" (Johannes Naber, D) | [7.11/53 1.4] |
31. | "Kaze no Denwa (Voices in the Wind)" (Nobuhiro Suwa, Japan) | [7.08/51 1.2] |
32. | "No Hard Feelings" (Faraz Shariat, D) Teddy + Teddy readers Award | [7.05/58 1.7] |
33. | "A l’abordage" (Guillaume Brac, Fr) | [7.04/58 1.6] |
34. | "La déesse des mouches à feu (Goddess of the Fireflies)" (Anaïs Barbeau-Lavalette, Can) | [7.04/27 1.5] |
35. | "Faith" (Valentina Pedicini, IT 2019) | [7.00/4 1.2] |
36. | "Notes from the Underworld" (Tizza Covi, Rainer Frimmel, A) | [7.00/14 1.5] |
37. | "Purple Sea" (Amel Alzakout, Khaled Abdulwahed, D) | [7.00/8 1.1] |
38. | "Servants" (Ivan Ostrochovský, Slo/Rom/Cze Rep/Ire) | [6.97/51 1.4] |
39. | "Father" (Srdan Golubović, Ser/F/D/Cro/Slo/B&H) Audience + Economical Jury Award | [6.96/45 1.5] |
40. | "Onward" (Dan Scanlon, USA) | [6.95/11 1.3] |
41. | "The Foundation Pit" (Andrey Gryazev, Rus) | [6.93/29 1.6] |
42. | "Undine" (Christian Petzold, D/F) Best Actress + Fipresci Prize | [6.90/263 1.4] |
43. | "The American Sector" (Courtney Stephens, Pacho Velez, US) | [6.90/19 1.3] |
44. | "Wildland" (Jeanette Nordahl, Den) | [6.89/107 1.2] |
45. | "Oeconomia" (Carmen Losmann, D) | [6.88/24 1.5] |
46. | "DAU. Natasha" (Ilya Khrzhanovskiy, Jekaterina Oertel, D/Ukr/UK/Rus) Best Camera/Light | [6.86/156 2.2] |
47. | "The Shepherdess and the Seven Songs" (Pushpendra Singh, Ind) | [6.84/19 1.2] |
48. | "Eeb Allay Ooo!" (Prateek Vats, Ind) | [6.80/13 1.5] |
49. | "Persian Lessons" (Vadim Perelman, Rus/D/Bel) | [6.79/119 1.8] |
50. | "Pari" (Siamak Etemadi, Gre/Fr/NL/Bul) | [6.78/27 2.0] |
51. | "Naked Animals" (Melanie Waelde, D) | [6.78/67 1.6] |
52. | "Sheytan vojud nadarad (There Is No Evil)" (Mohammad Rasoulof, D/Cz/Iran) Golden Bear + Economical Jury + Guild Film prize | [6.77/112 1.8] |
53. | "Running on Empty" (Lisa Weber, A) | [6.73/15 1.8] |
54. | "Petit Samedi" (Paola Sermon-Daï, Bel) | [6.72/18 1.0] |
55. | "Minyan" (Eric Steel, US) | [6.66/59 1.7] |
56. | "Shine Your Eyes" (Matias Mariani, Bra/Fr) | [6.60/44 1.5] |
57. | "Berlin Alexanderplatz" (Burhan Qurbani, D/NL) | [6.59/163 2.0] |
58. | "Malmkrog" (Cristi Puiu, Rom/Ser/CH/Swe/Bos/Mac) Best Director Encounters | [6.54/102 2.0] |
59. | "Uppercase Print (Tipografic majuscul)" (Radu Jude, Rom) | [6.51/77 1.2] |
60. | "Expedition Content" (Ernst Karel, Veronika Kusumaryati, US) | [6.50/4 1.1] |
61. | "Kill It and Leave This Town" (Mariusz Wilczyński, Pol) | [6.49/64 1.7] |
62. | "Kids Run" (Barbara Ott) | [6.49/36 1.9] |
63. | "Strike or Die" (Jonathan Rescigno, Fra) | [6.44/16 1.6] |
64. | "H Is For Happiness" (John Sheedy, Aus) | [6.43/23 1.5] |
65. | "Our Lady of the Nile (Notre-Dame de Nil)" (Atiq Rahimi, Fr) Crystal Bear | [6.41/32 1.1] |
66. | "Wagenknecht" (Sandra Kaudelka) | [6.33/15 1.6] |
67. | "Maggie’s Farm" (James Benning, US) | [6.31/29 1.5] |
68. | "The Calming" (SONG Fang, Chi) CICAE Award | [6.31/47 1.8] |
69. | "Ouvertures" (Louis Henderson, Olivier Marboeuf, UK/Fra) | [6.30/20 1.6] |
70. | "One of These Days" (Bastian Günther, D/US) | [6.29/76 1.4] |
71. | "Dry Wind" (Daniel Nolasco, Braz) | [6.29/45 2.2] |
72. | "Corporate Accountability (Responsabilidad empresarial)" (Jonathan Perel, Arg) | [6.26/17 2.2] |
73. | "Victoria" (Sofie Benoot, Liesbeth De Ceulaer, Isabelle Tollenaere, Bel) Caligari Film prize | [6.25/28 1.3] |
74. | "Always Amber" (Lia Hietala, Hannah Reinikainen, Swe) | [6.24/43 1.8] |
75. | "Sow the Wind" (Danilo Caputo, It/Fr/Gre) | [6.24/25 1.8] |
76. | "For the Time Being (Tal día hizo un año)" (Salka Tiziana, DE/ES/CH 2020) | [6.22/23 1.5] |
77. | "FREM" (Viera Čákanyová, Cz/Slo 2019) | [6.21/26 1.9] |
78. | "Her Name Was Europa" (Anja Dornieden, Juan David González Monroy, D) | [6.20/5 1.5] |
79. | "Digger" (Georgis Grigorakis, Gre/Fr) CICAE Award | [6.19/32 1.3] |
80. | "The Last City" (Heinz Emigholz, D) | [6.17/30 1.6] |
81. | "Favolacce (Bad Tales)" (Damiano & Fabio D'Innocenzo, I/CH) Best Screenplay | [6.15/169 1.8] |
82. | "Charlatan" (Agnieszka Holland, CZ/Irl/Pol/Slo) | [6.15/67 1.4] |
83. | "Black Milk (Schwarze Milch)" (Uisenma Borchu, D/Mon) | [6.12/49 1.2] |
84. | "El tango del viudo y su espejo deformante (The Tango Of The Widower And Its Distorting Mirror)" (Raúl Ruiz, Valeria Sarmiento, Chile) | [6.12/52 1.6] |
85. | "Ivana the Terrible (Ivana cea Groaznica)" (Ivana Mladenović, RO/SRB 2019) | [6.12/52 1.4] |
86. | "Swimming Out Till The Sea Turns Blue (Yi Zhi You Dao Hai Shui Bian Lan)" (Jia Zhang-ke, China) | [6.11/87 1.3] |
87. | "Time to Hunt (Sa-nyang-eui-si-gan)" (Yoon Sung-hyun, Kor) | [6.08/165 1.4] |
88. | "Im Feuer (Sisters Apart)" (Daphne Charizani, D/GR) | [6.04/23 1.4] |
89. | "Los Conductos" (Camilo Restrepo, F/Col/Bra) Best First Feature Award | [6.04/80 1.8] |
90. | "Effacer l'historique (Delete History)" (Benoît Delépine, Gustave Kervern, F/B) Silver Bear + Morgenpost Leser Award | [6.03/137 1.9] |
91. | "Las Mil y Una (One in a Thousand)" (Clarisa Navas, Arg/D) | [6.00/65 1.6] |
92. | "After the Crossing" (Joël Richmond Mathieu Akafou, Fra/Côte d’Ivoire) | [6.00/7 1.9] |
93. | "Nardjes A." (Karim Aïnouz, Alg/F/D/Bra/Qat) | [6.00/11 1.5] |
94. | "The Alien" (Nader Saeivar, Ira) | [6.00/19 1.5] |
1. | "Daleká cesta (Distant Journey)" (Alfréd Radok, CZ 1949) | [9.00/1 0.0] |
2. | "Das Wachsfigurenkabinett (Waxworks)" (Paul Leni, D 1924) | [9.00/1 0.0] |
3. | "Ochite mi sini, rokljata sharena (Blue Eyes and Colorful My Dress)" (Polina Gumiela, D) | [9.00/2 1.0] |
4. | "The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)" (C.W. Winter, Anders Edström, US/Swe/Jap/HK/UK) Best Film Encounters | [8.83/18 1.4] |
5. | "DAU. Degeneratsia (DAU. Degeneration)" (Ilya Khrzhanovskiy, Ilya Permyakov, D/Ukr/UK/Ru) | [8.80/30 1.6] |
6. | "Ossessione (Obsession)" (Luchino Visconti, I 1942) | [8.73/22 0.8] |
7. | "The Nutty Professor" (Jerry Lewis, US 1963) | [8.65/24 0.9] |
8. | "Les yeux ne veulent pas en tout temps se fermer ou Peut-être qu’un jour Rome se permettra de choisir à son tour (Othon)" (Jean-Marie Straub, Danièle Huillet, BRD/I 1970) | [8.64/11 1.3] |
9. | "W.R. – Misterije Organizma (W.R. – Mysteries of the Organism)" (Dušan Makavejev, YU/BRD 1971) | [8.39/33 0.8] |
10. | "Little Girl" (Sébastien Lifshitz, Fr) | [8.27/46 1.2] |
11. | "Mare’s Tail" (David Larcher, UK 1969) | [8.21/17 1.6] |
12. | "Last and First Men" (Jóhann Jóhannsson, Iceland) | [8.12/64 1.5] |
13. | "Schlingensief – A Voice That Shook the Silence" (Bettina Böhler, D) | [8.00/24 1.2] |
14. | "The Metamorphosis of Birds" (Catarina Vasconcelos, Por) Fipresci | [7.99/36 1.9] |
15. | "Welcome to Chechnya" (David France, US) Sundance, Audience + Amnesty Int. Award | [7.98/46 1.2] |
16. | "Never Rarely Sometimes Always" (Eliza Hittman, USA) Sundance, Grand Jury Prize | [7.89/335 1.1] |
17. | "Veins Of The World (Die Adern der Welt)" (Byambasuren Davaa, D/Mon) | [7.89/19 1.0] |
18. | "Sweet Thing" (Alexandre Rockwell, US) Crystal Bear | [7.79/47 1.4] |
19. | "Soleil O (Oh Sun!)" (Med Hondo, F/Maur 1970) | [7.78/18 0.9] |
20. | "Zero" (Kazuhiro Soda, Jap/US) MoMa Economical Jury | [7.74/33 1.1] |
21. | "First Cow" (Kelly Reichardt, USA) Telluride | [7.68/255 1.2] |
22. | "Recovery" (Kevin Jerome Everson, US) | [7.67/3 0.5] |
23. | "The Phantom Menace" (Graeme Arnfield, UK) | [7.67/3 1.7] |
24. | "Garagenvolk (Garage People)" (Natalija Yefimkina) Heiner Carow Prize | [7.62/41 1.6] |
25. | "Untitled Sequence of Gaps" (Vika Kirchenbauer, D) | [7.50/4 1.5] |
26. | "Golda Maria" (Patrick Sobelman, Hugo Sobelman, F) | [7.49/10 0.9] |
27. | "The Two Sights" (Joshua Bonnetta, Can/UK) | [7.48/32 1.3] |
28. | "Walchensee Forever" (Janna Ji Wonders) Compass-Perspektive-Award | [7.45/11 1.0] |
29. | "Hope" (Maria Sødahl, Nor/Swe) Toronto Label Europe Cinema | [7.44/49 1.1] |
30. | "My Name is Baghdad" (Caru Alves de Souza, Bra) Grand Prix Generation 14+ Jury | [7.41/32 1.6] |
31. | "Pinocchio" (Matteo Garrone, I/F/UK 2019) | [7.39/53 0.9] |
32. | "The Murder of Fred Hampton" (Howard Alk, USA 1971) | [7.39/19 1.2] |
33. | "The Viewing Booth" (Ra’anan Alexandrowicz, Isr/US 2019) Docaviv | [7.37/26 1.5] |
34. | "Gishiki (The Ceremony)" (Nagisa Oshima, J 1971) | [7.35/23 1.1] |
35. | "Art Comes from the Beak the Way It Has Grown (Kunst kommt aus dem Schnabel wie er gewachsen ist)" (Sabine Herpich, D) | [7.33/12 1.1] |
36. | "letter to a friend" (Emily Jacir, Pal/US 2019) Bard College | [7.33/3 0.9] |
37. | "The Earth Is Blue as an Orange" (Iryna Tsilyk, Ukr/Lit) Sundance | [7.32/29 1.2] |
38. | "This Is My Desire (Eyimofe)" (Arie Esiri, Chuko Esiri, Nig/US) | [7.32/19 1.0] |
39. | "Bloody Nose, Empty Pockets" (Bill Ross, Turner Ross, US) Sundance | [7.30/68 1.6] |
40. | "The Twentieth Century" (Matthew Rankin, Can 2019) Toronto, Fipresci Prize Forum | [7.25/100 1.4] |
41. | "La déesse des mouches à feu (Goddess of the Fireflies)" (Anaïs Barbeau-Lavalette, Can) | [7.24/29 1.5] |
42. | "Mogul Mowgli" (Bassam Tariq, UK) Fipresci Prize | [7.22/106 1.3] |
43. | "Mamá, mamá, mamá (Mum, Mum, Mum)" (Sol Berruezo Pichon-Riviére, Arg) | [7.20/20 1.9] |
44. | "Notes from the Underworld" (Tizza Covi, Rainer Frimmel, A) | [7.20/15 1.5] |
45. | "Domangchin yeoja (The Woman Who Ran)" (Hong Sangsoo, Korea) Best Director | [7.17/270 1.6] |
46. | "Las niñas (Schoolgirls)" (Pilar Palomero, Spa) | [7.17/29 1.3] |
47. | "Shirley" (Josephine Decker, US) Sundance | [7.17/199 1.3] |
48. | "Eldridge Cleaver, Black Panther" (William Klein, Alg/F 1970) | [7.15/13 0.8] |
49. | "Gunda" (Victor Kossakovsky, No/US) | [7.15/61 1.8] |
50. | "Automotive" (Jonas Heldt) | [7.14/22 1.7] |
51. | "The Exit of the Trains" (Radu Jude, Adrian Cioflâncă, Rom) | [7.14/11 1.1] |
52. | "No Hard Feelings" (Faraz Shariat, D) Teddy + Teddy readers Award | [7.10/59 1.7] |
53. | "The American Sector" (Courtney Stephens, Pacho Velez, US) | [7.05/20 1.3] |
54. | "A l’abordage" (Guillaume Brac, Fr) | [7.04/58 1.6] |
55. | "Curveball" (Johannes Naber, D) | [7.04/56 1.4] |
56. | "Father" (Srdan Golubović, Ser/F/D/Cro/Slo/B&H) Audience + Economical Jury Award | [7.04/54 1.5] |
57. | "Rizi (Days)" (Tsai Ming-Liang, Taiwan) Teddy Jury Award | [7.01/201 1.8] |
58. | "Al-Maw’oud (The Promised)" (Ahmed Elghoneimy, Egypt) | [7.00/2 0.0] |
59. | "Anaparastasi (Reconstruction)" (Theo Angelopoulos, G 1970) | [7.00/22 1.0] |
60. | "Faith" (Valentina Pedicini, IT 2019) | [7.00/4 1.2] |
61. | "Jogos Dirigidos (Directed Games)" (Jonathas de Andrade, Bra 2019) various museums | [7.00/9 0.7] |
62. | "Purple Sea" (Amel Alzakout, Khaled Abdulwahed, D) | [7.00/8 1.1] |
63. | "Remparts d’argile (Ramparts of Clay)" (Jean-Louis Bertuccelli, F/Alg 1970) | [7.00/5 1.5] |
64. | "Suk Suk" (Ray Yeung, HK/Chi) Golden Horse | [7.00/56 1.1] |
65. | "Kaze no Denwa (Voices in the Wind)" (Nobuhiro Suwa, Japan) | [6.96/55 1.2] |
66. | "Wildland" (Jeanette Nordahl, Den) | [6.96/117 1.2] |
67. | "Onward" (Dan Scanlon, USA) | [6.95/11 1.3] |
68. | "Cuties" (Maïmouna Doucouré, Fr) Sundance, Netflix | [6.91/30 1.5] |
69. | "Pari" (Siamak Etemadi, Gre/Fr/NL/Bul) | [6.90/28 2.0] |
70. | "Oeconomia" (Carmen Losmann, D) | [6.88/25 1.5] |
71. | "Servants" (Ivan Ostrochovský, Slo/Rom/Cze Rep/Ire) | [6.87/58 1.4] |
72. | "Persian Lessons" (Vadim Perelman, Rus/D/Bel) | [6.86/128 1.8] |
73. | "Undine" (Christian Petzold, D/F) Best Actress + Fipresci Prize | [6.86/281 1.4] |
74. | "Alice Júnior (Alice Junior)" (Gil Baroni, Bra 2019) Venice | [6.85/33 1.3] |
75. | "If It Were Love" (Patric Chiha, Fr) Teddy Award | [6.85/43 1.6] |
76. | "Sheytan vojud nadarad (There Is No Evil)" (Mohammad Rasoulof, D/Cz/Iran) Golden Bear + Economical Jury + Guild Film prize | [6.84/117 1.8] |
77. | "The Foundation Pit" (Andrey Gryazev, Rus) | [6.84/31 1.6] |
78. | "The Shepherdess and the Seven Songs" (Pushpendra Singh, Ind) | [6.84/19 1.2] |
79. | "Eine Sache, die sich versteht (15x)" (Hartmut Bitomsky, Harun Farocki, BRD 1971) | [6.83/6 1.5] |
80. | "Eeb Allay Ooo!" (Prateek Vats, Ind) | [6.80/13 1.5] |
81. | "Exil (Exile)" (Visar Morina, D/Bel/Kos) Sundance | [6.79/60 1.3] |
82. | "Running on Empty" (Lisa Weber, A) | [6.75/16 1.8] |
83. | "Anne At 13,000 Ft" (Kazik Radwanski, Can/US 2019) Toronto | [6.74/78 1.1] |
84. | "Minyan" (Eric Steel, US) | [6.72/60 1.7] |
85. | "DAU. Natasha" (Ilya Khrzhanovskiy, Jekaterina Oertel, D/Ukr/UK/Rus) Best Camera/Light | [6.70/175 2.2] |
86. | "The Assistant" (Kitty Green, US) Telluride, Sundance | [6.70/17 1.2] |
87. | "El cuarto poder" (Helena Lumbreras, Mariano Lisa, Spain 1971) | [6.67/3 1.9] |
88. | "Naked Animals" (Melanie Waelde, D) | [6.63/73 1.6] |
89. | "White Riot" (Rubika Shah, UK 2019) London | [6.60/30 1.1] |
90. | "Malmkrog" (Cristi Puiu, Rom/Ser/CH/Swe/Bos/Mac) Best Director Encounters | [6.58/110 2.0] |
91. | "Berlin Alexanderplatz" (Burhan Qurbani, D/NL) | [6.55/179 2.0] |
92. | "Shine Your Eyes" (Matias Mariani, Bra/Fr) | [6.55/46 1.5] |
93. | "Petit Samedi" (Paola Sermon-Daï, Bel) | [6.53/19 1.0] |
94. | "Expedition Content" (Ernst Karel, Veronika Kusumaryati, US) | [6.50/4 1.1] |
95. | "Kids Run" (Barbara Ott) | [6.49/36 1.9] |
96. | "Our Lady of the Nile (Notre-Dame de Nil)" (Atiq Rahimi, Fr) Crystal Bear | [6.48/33 1.1] |
97. | "Ouvertures" (Louis Henderson, Olivier Marboeuf, UK/Fra) | [6.45/22 1.6] |
98. | "Eine Prämie für Irene (A Bonus for Irene)" (Helke Sander, BRD 1971) | [6.44/8 0.8] |
99. | "Strike or Die" (Jonathan Rescigno, Fra) | [6.44/16 1.6] |
100. | "Maggie’s Farm" (James Benning, US) | [6.43/30 1.5] |
101. | "Uppercase Print (Tipografic majuscul)" (Radu Jude, Rom) | [6.36/90 1.2] |
102. | "Kill It and Leave This Town" (Mariusz Wilczyński, Pol) | [6.35/68 1.7] |
103. | "Her Name Was Europa" (Anja Dornieden, Juan David González Monroy, D) | [6.33/6 1.5] |
104. | "O.K." (Michael Verhoeven, BRD 1970) | [6.33/3 1.2] |
105. | "Wagenknecht" (Sandra Kaudelka) | [6.33/15 1.6] |
106. | "After the Crossing" (Joël Richmond Mathieu Akafou, Fra/Côte d’Ivoire) | [6.30/10 1.9] |
107. | "Victoria" (Sofie Benoot, Liesbeth De Ceulaer, Isabelle Tollenaere, Bel) Caligari Film prize | [6.30/30 1.3] |
108. | "Charlatan" (Agnieszka Holland, CZ/Irl/Pol/Slo) | [6.28/72 1.4] |
109. | "Dry Wind" (Daniel Nolasco, Braz) | [6.28/47 2.2] |
110. | "Digger" (Georgis Grigorakis, Gre/Fr) CICAE Award | [6.27/38 1.3] |
111. | "One of These Days" (Bastian Günther, D/US) | [6.26/81 1.4] |
112. | "Ostia" (Sergio Citti, I 1970) | [6.22/9 1.3] |
113. | "El tango del viudo y su espejo deformante (The Tango Of The Widower And Its Distorting Mirror)" (Raúl Ruiz, Valeria Sarmiento, Chile) | [6.21/57 1.6] |
114. | "Im Feuer (Sisters Apart)" (Daphne Charizani, D/GR) | [6.21/24 1.4] |
115. | "Always Amber" (Lia Hietala, Hannah Reinikainen, Swe) | [6.20/47 1.8] |
116. | "H Is For Happiness" (John Sheedy, Aus) | [6.19/26 1.5] |
117. | "Time to Hunt (Sa-nyang-eui-si-gan)" (Yoon Sung-hyun, Kor) | [6.18/179 1.4] |
118. | "Swimming Out Till The Sea Turns Blue (Yi Zhi You Dao Hai Shui Bian Lan)" (Jia Zhang-ke, China) | [6.15/90 1.3] |
119. | "Black Milk (Schwarze Milch)" (Uisenma Borchu, D/Mon) | [6.12/49 1.2] |
120. | "Sow the Wind" (Danilo Caputo, It/Fr/Gre) | [6.12/26 1.8] |
121. | "Ivana the Terrible (Ivana cea Groaznica)" (Ivana Mladenović, RO/SRB 2019) | [6.10/62 1.4] |
122. | "Yalda, la nuit du pardon (Yalda, a Night for Forgiveness)" (Massoud Bakhshi, F/D/CH/Lux/Lebanon/Iran) Sundance | [6.10/30 1.5] |
123. | "Jumbo" (Zoé Wittock, D/B/Lux) Sundance, AG Kino Gilde 14+ Award | [6.07/63 1.3] |
124. | "Minamata" (Andrew Levitas, UK) | [6.07/117 1.9] |
125. | "FREM" (Viera Čákanyová, Cz/Slo 2019) | [6.06/27 1.9] |
126. | "The Calming" (SONG Fang, Chi) CICAE Award | [6.03/50 1.8] |
127. | "Favolacce (Bad Tales)" (Damiano & Fabio D'Innocenzo, I/CH) Best Screenplay | [6.02/184 1.8] |
128. | "Der große Verhau (The Big Mess)" (Alexander Kluge, BRD 1971) | [6.00/3 0.0] |
129. | "El Ghorba (The Passengers)" (Annie Tresgot, Algeria 1971) | [6.00/3 1.4] |
130. | "Las Mil y Una (One in a Thousand)" (Clarisa Navas, Arg/D) | [6.00/69 1.6] |
131. | "Nardjes A." (Karim Aïnouz, Alg/F/D/Bra/Qat) | [6.00/11 1.5] |
132. | "Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt" (Rosa von Praunheim, BRD 1971) | [6.00/3 0.0] |
133. | "Out of Place" (Friederike Güssefeld) | [6.00/3 2.4] |
134. | "Schastye (Happiness)" (Alexandr Medvedkin, USSR 1935) | [6.00/11 1.8] |
135. | "Surge" (Aneil Karia, UK) Sundance | [6.00/74 1.6] |
136. | "The Last City" (Heinz Emigholz, D) | [6.00/32 1.6] |
137. | "The Woman’s Film (Newsreel #55)" (Women’s Caucus – San Francisco Newsreel, USA 1971) | [6.00/2 1.0] |
------------------------- |
138. | "Death Of Nintendo" (Raya Martin, Phil/US) | [5.97/58 1.6] |
139. | "For the Time Being (Tal día hizo un año)" (Salka Tiziana, DE/ES/CH 2020) | [5.96/28 1.5] |
140. | "The Alien" (Nader Saeivar, Ira) | [5.95/20 1.5] |
141. | "Corporate Accountability (Responsabilidad empresarial)" (Jonathan Perel, Arg) | [5.92/20 2.2] |
142. | "My Salinger Year" (Philippe Falardeau, CAN/IRL) | [5.91/171 1.3] |
143. | "Schwesterlein (My Little Sister)" (Stéphanie Chuat, Véronique Reymond, CH) | [5.88/143 1.6] |
144. | "Effacer l'historique (Delete History)" (Benoît Delépine, Gustave Kervern, F/B) Silver Bear + Morgenpost Leser Award | [5.85/149 1.9] |
145. | "Los Conductos" (Camilo Restrepo, F/Col/Bra) Best First Feature Award | [5.83/90 1.8] |
146. | "Entre Perro Y Lobo" (Irene Gutiérrez, Cuba/Spa) | [5.81/31 1.8] |
147. | "Volevo nascondermi (Hidden Away)" (Giorgio Diritti, Italy) Best Actor | [5.81/149 1.5] |
148. | "Angela – Portrait of A Revolutionary" (Yolande du Luart, USA/F 1971) | [5.80/5 0.7] |
149. | "Hillary" (Nanette Burstein, US) Sundance, TV | [5.79/16 1.7] |
150. | "Funny Face" (Tim Sutton, US) | [5.77/71 1.8] |
151. | "Orphea" (Alexander Kluge, Khavn, D) | [5.76/36 2.1] |
152. | "Paradise Drifters" (Mees Peijnenburg, NL) | [5.71/48 1.2] |
153. | "Sthalpuran (Chronicle of Space)" (Akshay Indikar, India) | [5.70/5 2.5] |
154. | "The Trouble with Being Born" (Sandra Wollner, A/D) Special Jury Award Encounters | [5.70/92 2.0] |
155. | "Equinox" (Margaret Honda, US) | [5.67/3 2.1] |
156. | "Schlaf (Sleep)" (Michael Venus) | [5.67/58 1.7] |
157. | "Vaga Carne (Dazed Flesh)" (Grace Passô, Ricardo Alves Jr., Bra 2019) | [5.67/3 0.0] |
158. | "El prófugo (The Intruder)" (Natalia Meta, Arg/Mex) | [5.65/234 1.6] |
159. | "Red Moon Tide (Lua Vermella)" (Lois Patiño, Spa) | [5.65/57 1.9] |
160. | "Days of Cannibalism" (Teboho Edkins, Fr/SA/NL) | [5.64/25 1.4] |
161. | "Speer Goes to Hollywood" (Vanessa Lapa, Israel) | [5.60/5 0.5] |
162. | "High Ground" (Stephen Maxwell Johnson, Aus) | [5.58/105 1.9] |
163. | "Palazzo di Giustizia (Ordinary Justice)" (Chiara Bellosi, Ita/CH) | [5.56/25 1.5] |
164. | "Mare" (Andrea Štaka, CH/Cro) | [5.55/47 1.4] |
165. | "Todos os mortos (All the Dead Ones)" (Caetano Gotardo, Marco Dutra, Bra/F) | [5.55/149 1.8] |
166. | "The House of Love (La Casa Dell' amore)" (Luca Ferri, Ita) | [5.52/29 1.7] |
167. | "Generations" (Lynne Siefert, US) | [5.50/4 2.1] |
168. | "Matata" (Petna Ndaliko Katondolo, Congo/US/NL 2019) Lubumbashi | [5.50/2 0.0] |
169. | "Window Boy Would Also Like To Have A Submarine" (Alex Piperno, Uru/Arg/Bra/NL/Phil) Tagesspiegel Readers Jury Award | [5.50/50 1.8] |
170. | "Divinely Evil" (Gustavo Vinagre, Bra) | [5.48/23 1.3] |
171. | "Numbers" (Oleg Sentsov, Akhtem Seitablaiev, Ukr/Pol/Cze/F) | [5.46/35 1.9] |
172. | "Irmã (Sisters in the End of the World)" (Luciana Mazeto, Vinícius Lopes, Bra) | [5.45/29 1.4] |
173. | "Irradiés (Irradiated)" (Rithy Panh, France / Cambodia) | [5.44/103 2.1] |
174. | "Isabella" (Matías Piñeiro, Arg) | [5.43/49 1.6] |
175. | "Los fantasmas" (Sebastián Lojo, GT/AR 2020) | [5.41/34 1.1] |
176. | "Abstracted / Family" (Koki Tanaka, Japan 2019) Aichi Triennale | [5.40/5 1.0] |
177. | "Le sel des larmes (The Salt of Tears)" (Philippe Garrel, F/CH) | [5.37/192 2.1] |
178. | "Sune – Best Man" (Jon Holmberg, Swe 2019) | [5.33/6 2.2] |
179. | "Télé Réalité" (Lucile Desamory, Gustave Fundi, Glodie Mubikay, B/Ger/Congo) | [5.33/3 0.5] |
180. | "Amazon Mirror" (Fernando Segtowick, Braz) | [5.23/13 1.5] |
181. | "Medium" (Edgardo Cozarinsky, Arg) | [5.20/5 1.0] |
182. | "Perro" (Lin Sternal, D) | [5.14/11 1.9] |
183. | "A Common Crime" (Francisco Márquez, Arg/Bra/CH) | [5.08/39 1.6] |
184. | "Police (Night Shift)" (Anne Fontaine, F) | [5.07/70 1.4] |
185. | "Siberia" (Abel Ferrara, I/D/Mex) | [5.02/319 2.1] |
186. | "Apiyemiyekî? (Jiibie)" (Laura Huertas Millán, Col/F 2019) Mar del Plata | [5.00/2 1.0] |
187. | "Doublewide" (Jenny Perlin, US) | [5.00/4 0.7] |
188. | "I Dream of Singapore" (Lei Yuan Bin, Sing) Singapore | [5.00/17 1.1] |
189. | "Was bleibt I Šta ostaje I What remains / Re-visited" (Clarissa Thieme, D/Aus/B&H) | [5.00/20 2.0] |
190. | "As Above So Below" (Sarah Francis, Leb) | [4.87/19 2.1] |
191. | "Pompei" (Anna Falguères, John Shank, Bel/Fr/Can) | [4.80/30 1.7] |
192. | "Ein Fisch, der auf dem Rücken schwimmt (A Fish Swimming Upside Down)" (Eliza Petkova) | [4.78/30 2.0] |
193. | "The Roads Not Taken" (Sally Potter, UK) | [4.70/217 1.8] |
194. | "The Great Chicago Conspiracy Circus" (Kerry Feltham, Can 1970) | [4.67/3 0.3] |
195. | "In Deep Sleep" (Maria Ignatenko, Rus) | [4.58/37 1.8] |
196. | "Akiya" (Jonna Kina, Fin/J/US) | [4.50/2 0.5] |
197. | "Al-Houbut (The Landing)" (Akram Zaatari, Leb/UAE 2019) Sharjah Biennial | [4.50/2 0.5] |
198. | "Citizens of the Cosmos" (Anton Vidokle, US/J/Ukr 2019) Toronto | [4.50/4 1.7] |
199. | "Light in the Tropics" (Paula Gaitán, Bra) | [4.50/2 0.0] |
200. | "Zeus Machine. L’invincibile" (Nadia Ranocchi, David Zamagni (Zapruder), Ita 2019) | [4.45/21 2.1] |
201. | "Kokon" (Leonie Krippendorff, D) | [4.00/1 0.0] |
202. | "The Notes Of Anna Azzori / A Mirror That Travels Through Time" (Constanze Ruhm, A/D/F) | [4.00/10 2.1] |
203. | "Common Birds" (Silvia Maglioni, Graeme Thomson, FR/GR 2019) | [3.83/6 1.6] |
204. | "Mugge & vejfesten (Monty and the Street Party)" (Anders Morgenthaler, Mikael Wulff, Den 2019) | [3.75/4 1.5] |
205. | "A Storm Was Coming" (Javier Fernández Vázquez, Spa) | [3.70/10 2.0] |
206. | "Moazzam ma yalla haqeqy (Most of What Follows Is True)" (Maged Nader, Egypt) | [3.00/1 0.0] |
| "(Outros) Fundamentos" (Aline Motta, Bra 2019) | [-] |
| "35 rhums (35 Shots of Rum)" (Claire Denis, F/D 2008) | [-] |
| "A Fish Called Wanda" (Charles Crichton, UK/US 1988) | [-] |
| "Brokeback Mountain" (Ang Lee, USA 2005) | [-] |
| "Bushido zankoku monogatari (Cruel Tale of Bushido)" (Tadashi Imai, Japan 1963) | [-] |
| "Cesare deve morire (Caesar Must Die)" (Paolo and Vittorio Taviani, Ita 2012) | [-] |
| "Der Architekt (The Architect)" (Ina Weisse, D 2008) | [-] |
| "Egy Nap (One Day)" (Zsófia Szilágyi, Hun 2018) | [-] |
| "En kärlekshistoria (A Swedish Love Story)" (Roy Andersson, Swe 1970) | [-] |
| "Guo Zhao Guan (Crossing the Border - Zhaoguan)" (Huo Meng, China 2018) | [-] |
| "Heller Wahn (Sheer Madness)" (Margarethe von Trotta, BRD 1983) | [-] |
| "Il bidone (The Swindle)" (Federico Fellini, ITA/F 1955) | [-] |
| "Irma Vep" (Olivier Assayas, F 1996) | [-] |
| "Los Lobos" (Samuel Kishi Leopo, Mex 2019) Grand Prix Generation K+ Jury + Peace Film Award | [-] |
| "My Punch-Drunk Boxer (Pansori Boxer)" (Jung Hyuk-ki, KOR 2019) | [-] |
| "On Zarathustra'’s Going Under from Cairo to Oran" (Ayreen Anastas, Rene Gabri, Pal/US) | [-] |
| "On vous parle de Paris: Maspero, les mots ont un sens" (Chris Marker, F 1970) | [-] |
| "Ostatni etap (The Last Stage)" (Wanda Jakubowska, POL 1948) | [-] |
| "Seven Years in May (Sete anos em maio)" (Affonso Uchôa, BR/AR 2019) | [-] |
| "Sole" (Carlo Sironi, ITA/POL 2019) | [-] |
| "Tatsuniya II" (Rahima Gambo, Nig 2019) | [-] |
| "Testről és lélekről (On Body and Soul)" (Ildikó Enyedi, Hun 2017) | [-] |
| "The Lost Okoroshi" (Abba Makama, NG 2019) | [-] |
| "Wandafuru Raifu (After Life)" (Hirokazu Kore-eda, Japan 1998) | [-] |
| "Xiao Wu (Artisan Pickpocket)" (Jia Zhang-Ke, China 1998) | [-] |
0.51 | MaksBgm | [10 -0.2] |
0.68 | nfel | [12 +0.2] |
0.71 | Nenette | [17 +0.2] |
0.74 | laraglezlobo | [14 +0.4] |
0.74 | ethan | [17 +0.4] |
0.75 | Ron Junghans (jay-carpet.com, Deutschland) | [12 +0.1] |
0.76 | Brad Hanson | [12 -0.2] |
0.77 | rmc_london | [11 +0.0] |
0.79 | David Ehrlich (Indiewire, US) | [8 -0.1] |
0.81 | Victor Diório | [12 +0.2] |
0.83 | Mattias | [19 -0.2] |
0.89 | Alina | [16 +0.3] |
0.90 | Lilly | [10 +0.3] |
0.91 | Boyd van Hoeij (The Hollywood Reporter, US) | [1 -0.9] |
0.94 | AEC | [14 +0.1] |
0.95 | Kristin_Berlin | [18 +0.1] |
0.96 | MicKro | [13 +0.2] |
0.97 | Maria Antônia S. Gonçalves | [11 -0.3] |
0.98 | Sabine_S | [23 +0.3] |
0.99 | kaixo | [23 +0.6] |
1.00 | ZombAid | [18 +0.1] |
1.00 | jankaranka | [18 -0.1] |
1.01 | Superclown | [16 -0.2] |
1.04 | EliLewy | [25 +0.0] |
1.07 | ProsperDune | [12 -0.1] |
1.07 | blackholebird | [13 +0.5] |
1.08 | feridemercury | [19 -0.0] |
1.08 | Andreas | [28 -0.2] |
1.10 | Daniel Kroenke | [18 +0.7] |
1.10 | Magnus Cappelen | [11 +0.4] |
1.11 | filmisnothing | [22 +0.2] |
1.11 | CAPfuture | [21 +0.6] |
1.12 | connor joseph | [15 +0.3] |
1.12 | Hebbie101 | [21 +0.0] |
1.12 | janrs | [27 -0.1] |
1.12 | Bartosz Tesarz | [19 -0.2] |
1.13 | Piero Le Fou | [21 +0.3] |
1.13 | Steven Yates (FIPRESCI, UK) | [13 -0.1] |
1.14 | Roberto Gonzalez | [49 +0.1] |
1.15 | Mauricio Ribeiro (Spoilermovies, Brasil) | [37 -0.1] |
1.16 | FrankPoole | [20 -0.6] |
1.16 | elephante | [17 -0.1] |
1.16 | juga | [34 +0.3] |
1.17 | Aurel Graf (Maximum Cinema, Schweiz) | [23 -0.1] |
1.17 | Maya | [11 -0.8] |
1.18 | Sven Holl | [12 +0.5] |
1.20 | Hannes Brühwiler (critic.de, Deutschland) | [24 +0.2] |
1.20 | Dominic Schmid | [33 +0.5] |
1.20 | gargoyle agitator | [20 +0.7] |
1.20 | Moritz_St | [31 -0.2] |
1.21 | Ben Travers (Indiewire, US) | [1 +1.2] |
1.21 | breakerfall | [22 +0.5] |
1.22 | Filmtoast | [10 +0.2] |
1.22 | Kazushi80 | [16 +0.2] |
1.23 | arman_fatic | [24 +0.0] |
1.23 | Damian Pietrzak | [15 +0.0] |
1.23 | Christian Barroso | [22 -0.3] |
1.23 | Jumped-up Pantry boy | [21 +0.7] |
1.24 | Marcphilipp17 | [16 +0.5] |
1.25 | Mads KH | [14 +0.3] |
1.25 | Wilhelm | [19 +0.4] |
1.25 | fumanchu | [15 -0.3] |
1.25 | Giovanni Pedrini | [12 -0.2] |
1.26 | Tiago Ribeiro | [12 -0.4] |
1.26 | hansen | [31 -0.3] |
1.27 | Felix M. Bühler | [11 +0.3] |
1.27 | clemens_oskar | [15 -0.1] |
1.27 | Julian Ramhorst | [11 +0.5] |
1.27 | Jasper Behrensdorf (Leibniz Universität Hannover, Deutschland) | [5 -0.5] |
1.28 | MrTobs | [16 -0.1] |
1.29 | chrosTV | [21 +0.8] |
1.29 | Dunja Bialas (artechock, Deutschland) | [7 +0.1] |
1.30 | hughjass23 | [17 +0.8] |
1.30 | saarfranke | [21 +0.4] |
1.32 | rodrigogaray | [12 +0.5] |
1.32 | filmaddy | [26 -0.3] |
1.32 | Blue_Cat | [11 -1.1] |
1.33 | chris_v | [20 -0.4] |
1.33 | Elias Engelhardt | [23 -0.7] |
1.33 | Heather_Grrrl | [15 +0.9] |
1.34 | Vlad Shuravin | [21 -0.5] |
1.34 | Dennis | [26 -0.0] |
1.34 | inah | [15 +0.7] |
1.34 | AlexLinden | [34 +0.3] |
1.35 | Mathieu Li-Goyette | [12 +0.8] |
1.35 | Christian Ihle (TAZ Popblog, Deutschland) | [29 -1.0] |
1.36 | klaspas | [15 -0.3] |
1.36 | blahr | [12 -0.4] |
1.36 | Barbara Demerov (Adoro cinema, Argentina) | [21 +0.1] |
1.36 | Thomas Abeltshauser (FIPRESCI, Deutschland) | [5 +0.3] |
1.36 | Caterina | [50 +0.5] |
1.36 | Tilman | [18 -0.0] |
1.38 | Benjamin Hujawa | [11 -0.4] |
1.38 | urstey | [11 +0.4] |
1.39 | Jurgen Fauth | [16 -0.3] |
1.39 | Stefan Werner | [25 +0.4] |
1.39 | tobiwan1138 | [10 +0.9] |
1.39 | skupidoo | [11 +0.2] |
1.39 | GastonMonescu | [19 +0.1] |
1.39 | cam | [45 +0.4] |
1.40 | Debilski | [13 +0.4] |
1.40 | Lugait | [12 +0.3] |
1.40 | RedHerring | [21 -0.5] |
1.40 | Robin | [15 -0.2] |
1.40 | Patrick Reinbott | [10 +0.4] |
1.40 | A. Petković | [12 +0.6] |
1.41 | Kevin B. Lee | [21 +0.0] |
1.41 | Janick Nolting | [33 -0.7] |
1.41 | Maurice Lahde (critic.de, ) | [21 +0.2] |
1.41 | Julia | [11 -0.1] |
1.41 | Antonio Dakeyras (Deutschland, ) | [2 +1.3] |
1.41 | David Hudson (Fandor, US) | [20 -0.7] |
1.42 | Jaime Lapaz | [27 -0.5] |
1.42 | dogandwolf | [23 -0.8] |
1.44 | Todesschlaefer | [17 +0.3] |
1.45 | Daniel Fabian | [17 -0.3] |
1.45 | Alex_8419 | [14 +0.9] |
1.45 | Till Kadritzke (critic.de, Deutschland) | [49 +0.4] |
1.46 | coreative | [18 -0.8] |
1.46 | davidstarck | [24 -0.7] |
1.47 | Kemal Burak | [21 +0.4] |
1.47 | Frohlunder | [15 +0.3] |
1.47 | Leonard Krähmer | [12 +0.1] |
1.48 | moritzdereisman | [12 +0.5] |
1.48 | Franciszek | [20 -0.3] |
1.48 | goldwax | [16 +0.6] |
1.50 | dr3amb0x | [24 +0.9] |
1.50 | JaredAbbott | [54 -0.6] |
1.50 | xiaoyu | [18 -0.6] |
1.50 | ligfip | [17 +0.6] |
1.50 | Daniel | [30 -0.5] |
1.50 | Christian Eichler | [19 -0.3] |
1.51 | Tommaso Tocci | [25 -0.6] |
1.51 | b schmitt | [12 +1.2] |
1.51 | Serena Scateni (cinematographe.it, Scotland) | [11 +0.0] |
1.51 | Ellen Kemp | [26 +0.6] |
1.51 | Lu Zeng | [11 +0.9] |
1.51 | LeoLodi | [27 +1.0] |
1.51 | ms_soberness | [19 +0.2] |
1.52 | Michael Kienzl (critic.de, Deutschland) | [31 -0.9] |
1.53 | fluszeit | [14 +0.9] |
1.53 | Leon Emonds-Pool | [13 +0.8] |
1.53 | Evelien | [18 -1.0] |
1.54 | mediarcheology | [22 -0.4] |
1.54 | Honza7 | [15 +0.3] |
1.55 | Nasogrigio | [15 -0.3] |
1.55 | hongye | [24 +1.0] |
1.55 | Screen International | [18 -0.2] |
1.56 | Dana Linssen (Filmkrant, Holland) | [20 +0.4] |
1.56 | tisc | [11 +1.1] |
1.57 | G.Marchini Camia (Sight & Sound, ) | [27 -0.7] |
1.57 | Crayfish | [43 +0.1] |
1.58 | John Prado | [21 +0.3] |
1.59 | ilacoclea | [22 -0.8] |
1.59 | ginschi | [10 -0.4] |
1.60 | palemone | [14 -0.1] |
1.60 | Clemens | [23 -0.4] |
1.60 | Tildali | [11 +0.3] |
1.60 | Maximilien Proctor | [14 +0.3] |
1.60 | Eagle_Vision | [34 -0.4] |
1.61 | Leo Bankersen (FIPRESCI, Holland) | [11 -0.4] |
1.61 | Leonie | [10 -0.8] |
1.63 | Werner Hochbaum-Schrein (negativespace.blogger.de, Deutschland) | [24 -0.5] |
1.64 | D W Mault (Filmmaker, UK) | [32 +0.5] |
1.64 | Marvin Meiendresch (Filmmaker, Deutschland) | [31 -0.4] |
1.65 | zombieatemyhead | [11 -0.8] |
1.65 | Carolina | [26 -0.0] |
1.65 | pernillere | [14 -0.8] |
1.66 | Rüdiger Suchsland (arteschock, Deutschland) | [21 +0.4] |
1.66 | JohnDoe | [17 +0.4] |
1.67 | Mohsin Ahmad | [14 +1.1] |
1.67 | Christoph Schelb | [26 -1.0] |
1.68 | ello | [29 -0.1] |
1.68 | Daniel Jarris | [12 +0.9] |
1.68 | wilson | [20 +0.5] |
1.68 | laura_lh | [14 +0.4] |
1.68 | Yaron | [12 +0.4] |
1.69 | Anton Kolyago | [20 -0.7] |
1.69 | tadaaaaa | [31 -0.3] |
1.69 | Bruno Carmelo (Papo De Cinema, Brasil) | [38 +0.0] |
1.69 | Boris Nelepo (Sceance.ru, Russia) | [17 +0.4] |
1.70 | Darren Hughes (The Public Cinema, Big Ears Festival, US) | [17 +0.3] |
1.70 | Stephen Dalton (The Hollywood Reporter, UK) | [1 -1.7] |
1.70 | Arvena | [31 -0.9] |
1.71 | Melanie | [21 -0.7] |
1.71 | Matīss Kaža | [12 -0.7] |
1.71 | Jonas Chadarevian | [30 +0.4] |
1.71 | Pablo Villaça (Cinema em Cena, Brasil) | [48 +0.6] |
1.72 | lucas_milhomem | [15 -0.5] |
1.72 | Adina Lauenburger (critic.de, Deutschland) | [24 -0.5] |
1.73 | Pavao Vlajcic | [47 -0.8] |
1.73 | Barbara Lorey (FIPRESCI, France) | [9 -0.0] |
1.73 | Niklas Rørig | [18 +1.3] |
1.73 | Louis_levi | [18 +0.7] |
1.73 | Ryan Shi | [12 -0.2] |
1.74 | Mohamad El-Hadidi | [20 +0.5] |
1.74 | Benny Kohzer | [10 -0.1] |
1.74 | Peter Bradshaw (The Guardian, UK) | [15 +0.4] |
1.75 | Andrey Arnold (Die Presse, Austria) | [21 +1.1] |
1.75 | Tom | [17 +0.1] |
1.75 | Hugo Emmerzael | [13 +1.0] |
1.75 | Beatrice Behn (Kino-Zeit, Deutschland) | [44 +0.5] |
1.76 | brokencircle | [12 -0.6] |
1.77 | rockywaschbaer | [10 +1.2] |
1.78 | Miguel Muñoz Garnica | [31 -0.8] |
1.78 | Fabian Wallmeier (rbb24, Deutschland) | [44 -0.5] |
1.78 | Jan-Gerrit Heddinga | [16 +1.1] |
1.78 | Paolo Portugal (FIPRESCI, Portugal) | [13 -1.4] |
1.78 | Actual Grandma | [29 +0.8] |
1.78 | Simon Esser | [14 -0.3] |
1.79 | Tim | [15 -0.7] |
1.79 | Lilla Gyöngyösi (Ex-Journalist, Hungary) | [16 -0.2] |
1.80 | Francesco Signorello | [12 +1.0] |
1.81 | Ana Šturm | [24 -0.8] |
1.81 | Andrea Martini (FIPRESCI, Italy) | [18 -0.9] |
1.81 | Blake Williams (Cinema Scope, Canada) | [30 -1.0] |
1.81 | Limevo | [14 -0.1] |
1.82 | Max Borg | [35 +1.1] |
1.83 | Christian Klosz | [13 +0.9] |
1.83 | erhollev | [10 +1.5] |
1.83 | Jacopo Fiorancio | [10 -0.4] |
1.84 | Florian Weigl | [23 -0.2] |
1.84 | Tomás Mateus | [11 +1.2] |
1.84 | alexplatz | [16 -1.1] |
1.85 | AndiNeu | [24 +0.7] |
1.86 | Chp100 | [17 -0.8] |
1.86 | NicolasBardot | [43 -0.2] |
1.86 | theanroba | [15 +1.2] |
1.86 | szczyx | [16 +0.4] |
1.86 | Karsten Munt (Berliner Zeitung, Deutschland) | [22 -0.7] |
1.87 | Fly | [21 +1.3] |
1.87 | Lukas | [10 -0.9] |
1.87 | Dolev Amitai | [11 -0.8] |
1.87 | DerDude_ | [86 -1.0] |
1.87 | svenpost | [24 +0.7] |
1.88 | kerem_akca | [29 -1.2] |
1.88 | Rhys Handley | [14 +0.2] |
1.88 | Sean Erickson | [21 +0.9] |
1.90 | Alex Billington (FirstShowing.net, ) | [29 +0.9] |
1.90 | Pamela Jahn (FIPRESCI, Deutschland) | [12 -0.9] |
1.91 | beata_mr | [18 -0.8] |
1.91 | Peter Debruge (Variety, USA) | [1 -1.9] |
1.91 | AlissaSophie | [16 +0.0] |
1.92 | Luc Freijer | [16 +1.0] |
1.92 | Carlota Moseguí | [37 +1.1] |
1.93 | Uwe Broeske | [16 +0.4] |
1.94 | Fabricio Duque (Vertentes Do Cinema, Brasil) | [7 -0.6] |
1.94 | Lou Thomas | [14 -0.3] |
1.95 | Philipp Schwarz (critic.de, Deutschland) | [36 -1.3] |
1.96 | Nandor Toth (Filmtekercs.hu, Hungary) | [11 -0.7] |
1.97 | A.A. Dowd (The A.V. Club, US) | [13 -0.6] |
1.97 | Alex Hodge (Film student, Australia) | [11 +0.2] |
1.97 | KotaNaka | [12 +0.5] |
1.97 | TerribleMiasma | [13 -1.1] |
1.97 | Mattia Tezzele | [12 -0.6] |
1.98 | Sonja M. Schultz (critic.de, Deutschland) | [8 -0.6] |
1.98 | Slimsusie | [26 -0.3] |
1.98 | Gaines | [14 -0.5] |
2.00 | Anton Dolin (Meduza, Russia) | [18 -0.6] |
2.01 | Maximilian Klausen | [22 +0.6] |
2.01 | André Devime | [30 -0.6] |
2.01 | Frank Yan | [19 +1.0] |
2.03 | Carmen Paddock | [20 -0.0] |
2.03 | Jonas Nestroy (critic.de, Deutschland) | [43 -0.9] |
2.04 | Daniel Salazar | [14 +0.6] |
2.04 | Mikko Pihkoluoma | [14 +0.5] |
2.04 | lyssiemoller | [10 -0.1] |
2.05 | Wang Muyan (The Paper, China) | [18 -0.6] |
2.06 | monkeybox83 | [10 +0.9] |
2.07 | the_gaffer | [43 -0.9] |
2.07 | kell666 | [19 -1.6] |
2.07 | timmychen | [13 +1.0] |
2.07 | bebe_garcon | [30 +0.4] |
2.07 | Helena Lindblad (Dagens Nyherer, Schweden) | [17 -0.8] |
2.08 | Juho Lipponen | [15 +0.3] |
2.08 | Lepchik | [15 +0.5] |
2.08 | Admundzie | [14 +0.1] |
2.08 | Nic Cheung | [13 -0.1] |
2.08 | crisiscrisis | [16 -1.0] |
2.09 | Knutalch | [11 -1.4] |
2.09 | Tinozinho | [12 -1.1] |
2.11 | Vincent | [11 -0.8] |
2.12 | sw_lndm | [15 -0.8] |
2.13 | Eddie Falvey (One Room With A View, GB) | [24 +0.4] |
2.16 | Pemulis0 | [15 -0.2] |
2.17 | Robert Hess | [16 -0.1] |
2.17 | Kerem Akca (FIPRESCI, Turkey) | [19 -0.7] |
2.18 | drsnips | [10 -1.4] |
2.19 | Katja Nicodemus (ex-Zeit, Deutschland) | [18 -1.4] |
2.19 | mordekia | [15 +1.0] |
2.19 | Lily Gu | [41 -0.6] |
2.20 | Egor Belikov (kinoart.ru, Russia) | [22 -0.7] |
2.21 | monotono | [11 -1.5] |
2.22 | Alberto Ramos (FIPRESCI, Havana Int. Festival, Cuba) | [33 +0.4] |
2.23 | atbike | [10 -0.2] |
2.24 | Jenny Jecke (Moviepilot, Deutschland) | [42 -0.9] |
2.24 | Redmond Bacon (Cultured Vultures, UK) | [39 -0.3] |
2.25 | silviabahl | [10 -0.2] |
2.25 | vividiecoolste | [19 -0.8] |
2.29 | farinsky | [11 -0.1] |
2.29 | MrMDK | [16 +0.2] |
2.30 | SaraMelina | [12 +1.2] |
2.31 | JanaIsa | [21 +1.6] |
2.32 | Kaan Karsan | [16 -1.0] |
2.33 | Racifantasy | [17 -0.7] |
2.33 | hizuru | [10 +0.2] |
2.34 | Basten | [28 -0.2] |
2.34 | Brundlemax | [11 -0.8] |
2.35 | Konrad Kögler (Das Kulturblog, Deutschland) | [42 -2.0] |
2.35 | Mark Gubarenko | [16 -1.3] |
2.37 | elsupersonico | [32 -1.0] |
2.38 | Michael | [15 -1.0] |
2.40 | Paul Raatz | [17 -0.9] |
2.42 | Wellington Almeida (Huffpost Brazil, Deutschland) | [29 -1.5] |
2.42 | Yusuf | [20 -1.4] |
2.43 | Martin Gobbin (Negativ, Deutschland) | [13 -1.5] |
2.44 | Farhad Delaram | [17 -1.8] |
2.46 | Patrick Devitt | [11 -0.0] |
2.46 | Rita DiSanto (The Morning Star, UK) | [18 +0.9] |
2.46 | nadjawhite | [13 +2.2] |
2.53 | Christer Emanuelsson | [18 +1.0] |
2.55 | okanacmak | [24 -1.4] |
2.58 | VeRo__ | [15 +0.2] |
2.62 | Dávid Klág | [14 -2.1] |
2.62 | Tatiana Shorokhova | [15 -0.8] |
2.65 | Verena Schmöller (FIPRESCI, Deutschland) | [15 +0.7] |
2.65 | Paolo Bertolin (Segnocinema, Italy) | [18 -0.7] |
2.70 | cocokfl | [15 +1.0] |
2.77 | Yortj | [16 +0.7] |
2.77 | Esin Kucuktepepinar (FIPRESCI, Turkey) | [12 -2.2] |
2.85 | Till Angel | [10 -0.8] |
2.85 | shookone | [50 -2.0] |
2.89 | elmariachi82 | [12 +0.0] |
2.95 | Ugo Brusaporco (FIPRESCI, Italy) | [16 -0.5] |
3.10 | Kirsten Liese (FIPRESCI, Deutschland) | [17 -1.6] |
3.14 | Lulia Blaga (FIPRESCI, Romania) | [11 -2.8] |
3.17 | reygadasfan | [14 -2.0] |
3.18 | canci | [13 -1.6] |
3.47 | Philip Bergson (FIPRESCI, UK) | [2 +3.5] |